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Venue: Teatro La Fenice

Campo San Fantin, 1965
30124 Venezia
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Event details



During a storm, three travellers take refuge in an inn in the country. Alberto has been betrothed to a woman whom he has never met, and is on his way to meet her. Don Parmenione, accompanied by Martino, is trying to trace a friend’s sister, who has disappeared. When the storm is over, Alberto leaves, accidentally taking Parmenione’s luggage with him instead of his own. Martino opens Alberto’s suitcase and discovers, among his papers, a portrait, presumably of the bride-to-be. Parmenione decides to masquerade as Albert and claim the bride for himself.

At Don Eusebio’s house, Ernestina, who has fallen on hard times, agrees to extend her stay and take on the role of Berenice’s companion. Berenice, worried about marrying a man whom she has never met, asks Ernestina to pretend to be her. She herself will meanwhile play the role of a maid, so that she can observe Alberto and decide whether she is prepared to marry him. Parmenione, accompanied by Martino, now announces himself as Alberto and pays court to the disguised Ernestina, notwithstanding that she is not the lady in the portrait. The two are attracted to each other.

Alberto himself arrives, and meets the pretended maid, Berenice. A mutual attraction also springs up between these two, but Berenice is disconcerted to learn that Alberto has apparently already arrived and can prove who he is, whereas this man has no papers to identify him. The real Alberto and the imposter each try to convince Eusebio that they are who they say they are, and Berenice, who knows which one she would rather marry, subjects Parmenione to a severe cross-examination. He is eventually forced to admit his deception. Berenice can now marry Alberto and Parmenione can marry Ernestina – who turns out to the woman he was trying to trace, the sister of his friend. And the portrait in Alberto’s luggage? It was of his own sister, to be given to Berenice as a wedding-present.

Program details

Conductor: Michele Gamba
Director: Elisabetta Brusa

Teatro La Fenice

Teatro La Fenice ("The Phoenix") is an opera house in Venice, Italy. It is one of the most famous theatres in Europe, the site of many famous operatic premieres. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of two theatres (to fire and legal problems respectively). Since opening and being named La Fenice, it has burned and been rebuilt twice more.


The Teatro La Fenice was founded in 1792. In the nineteenth century, the theatre staged the world premieres of numerous operas, including Rossini’sTancredi, Sigismondo and Semiramide, Bellini’s I Capuleti e i Montecchi (The Capulets and the Montagues) and Beatrice di Tenda, Donizetti’sBelisario (Belisarius), Pia de’ Tolomei, and Maria de Rudenz, and Verdi’s Ernani, Attila, Rigoletto, La traviata and Simon Boccanegra. 


In the last century, the Fenice has also placed a special emphasis on contemporary productions, welcoming the world premieres of Stravinski’s The Rake’s Progress, Britten’s The Turn of the Screw, Prokofiev’s L’angelo di fuoco (The Fiery Angel), Nono’s Intolleranza (Intolerance) and Maderna’s Hyperion. Recent premieres have included Kagel’s Entführung im Konzertsaal (Kidnapping in the Concert Hall), Guarnieri’s Medea, Mosca’s Signor Goldoni and Ambrosini’s Il killer di parole (The Killer of Words). 

With a seating capacity for over one thousand people, the Fenice boasts excellent acoustics (which were improved when the theatre was rebuilt after the devastating fire of 1996), a 98-member orchestra and 66-person opera chorus, a dedicated local audience and a large international following. The theatre is a leading creative venue, staging more than one hundred opera performances per year, a major symphonic season conducted by prominent conductors from across the globe (including frequent collaborations with Myung-Whun Chung, Riccardo Chailly, Jeffrey Tate, Vladimir Temirkanov and Dmitrij Kitajenko), the full cycles of symphonies by Beethoven, Schumann, Brahms and Mahler, a contemporary repertoire focused especially on Venetian artists such as Nono and Maderna, ballets, and chamber music concerts. 

The theatre is owned by the Municipality of Venice and managed by the Fondazione Teatro La Fenice, a private body whose members include the State of Italy, the Veneto region, the Municipality of Venice and numerous public and private institutions. The foundation also runs a second theatre, the Teatro Malibran (formerly known as the Teatro di San Giovanni Grisostomo), which dates back to 1678.

The leadership of the Fondazione includes General Manager Cristiano Chiarot, Artistic Director Fortunato Ortombina, Principal Conductor Diego Matheuz and Chorus Master Claudio Marino Moretti.




from Tronchetto: line 2 
toward Rialto bridge, St Mark and Lido  

from Piazzale Roma and the Santa Lucia train station: line 1 or line 2 
toward Rialto bridge, St Mark and Lido  

stops: take line 1 to Rialto bridge, St Angel, St Samuel or St Mark (Vallaresso); 
or take line 2 to Rialto bridge or St Mark (Vallaresso)  

Alilaguna public transportation service from the Marco Polo airport - take the orange line to Rialto bridge or the blue line to St Mark (Vallaresso)

Parking: although you can drive to Venice, cars, bicycles and mopeds are not permitted in the city. You can leave your vehicle in one of the parking garages on Tronchetto or in Piazzale Roma: 



La Fenice Opera House has two entrances: 
- the stage door is for theatre staff and performers only and is manned by a doorman;
- the main entrance


The boxes, gallery and family circle can be reached via elevators


The theatre complies with all legal regulations regarding special needs accessibility. 

Tickets for 2017-2018 season at  Teatro La Fenice - Venice
Tickets for 22017-2018 season at Teatro La Fenice - Venice. Buy online tickets at best prices for the new opera and ballet events at Teatro La Fenice - Venice.
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Opernring 4/2/5/20,   Wien-1010